I was unsuccessful in preventing the player from adding the “automatic ending chord” after the percussion bars.īy removing the final two measures of percussion and using the invisible END instruction, the final E sounds only once. The added two bars of percussion at the end of your chart confuses the player. It's always best to post your chart directly from your app along with your question. The X9#13 isn't recognized by the iRp player, can you suggest an alternate voicing? Thanks for sharing the ACJ changes and reminding us about the "invisible" END command. I have used up all the scale i know, and at the end i've come to nothing, Playing the iRp chart top to bottom is musically the same as the GGB’s repeating the first part of A, then jumping to the coda.Īs i'm bound to be the unavoidable consequence of you The iRp chart is actually A1,B, A2 with the coda changes included in A2. JerYou are correct that the iRp and GGB forms are identical when played once. It only becomes ABA on the last chorus, with the final A going to the Coda instead of to the B. It shows the form as ABA, which is only correct if one is playing just one chorus. The form of the tune in Jazz 1300 is incorrect. One Note Samba GBB - Antonio-Carlos Jobim The only musical difference between the chords in the two charts is in the final two beats of the last bar in the B-section. The second half of the final bar in the B section contains the only variance. The first half of the next bar features a CØ7 (iRp), C-7b5 (GBB) again, same chord. The GBB version instead uses Db-7|Gb7| B▵7 Same chords, different names. In the B section, the iRp chart uses: C#-7|F#7|B▵7 (ii,V,I) to the B. The GBB uses a coda form instead (to save space on the page). The iRp chart writes out the 16 bars after the B section. I started with a duplicate of the iRp chart from the 1300 and planned to "correct" chords as neccessary. The ones from the original playlist seem wrong and I wanted to look for other versions (like the Blue Book.)I just transcribed One Note Samba from the Great Gig Book (BLUE BOOK) Maybe you’ll enjoy it even more, now that you know a little bit about its background.I came here looking for One Note Samba changes. Happily, you won’t have to wait at all to listen to Nate Najar’s ‘One Note Samba’. The release date for Jazz Samba Pra Sempre is May 13, 2022. Playing Charlie Byrd’s own guitar, Najar is joined by Jeff Rupert on tenor sax, Herman Burney on bass (playing Keter Betts’ bass played on the original Jazz Samba) and Chuck Redd on drums (previously of the Charlie Byrd Trio) navigating the tracklist with equal parts reverence and invention.” “Jazz Samba Pra Sempre is loving “reimagining” of this seminal album. Najar’s website expands our expectations. Every aspect of Jazz Samba Pra Sempre evolves from this point. The result is both respectful and refreshing. Nate Najar’s tribute to ‘Samba De Uma Nota So’ shows his unique approach to honoring that 1962 recording. Bassist Ketter Betts anchored Jazz Samba’s intimate sound while drummer Buddy Deppenschmidt created the album’s rhythmic magic.Ĭharlie Byrd’s brother Joe also played guitar during the session. Joining them for this ‘live, in one take’ session were members of Charlie Byrd’s trio. Jazz Samba was recorded at Washington, DC’s All Souls Unitarian Church by saxophonist Stan Getz and guitarist Charlie Byrd. Jazz Samba celebrates its 60 th Anniversary this year. Najar’s album title is a homage to perhaps the most treasured and historic Bossa Nova jazz album of all time.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |